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Devil’s Gate: FBI Agent Daria Francis (Amanda Schull) can’t shake the feelings of remorse stemming from a failed attempt to save an innocent victim while on the job, but there’s no time to wallow—a new assignment has completely redirected her attention to the small town of Devil’s Gate, North Dakota. A local woman and her young son have gone missing and all signs point to foul play on the part of her husband (Milo Ventimiglia). But when Agent Francis and the local deputy (Shawn Ashmore) enter his farmhouse’s basement, the case proves to have far wilder implications than they could have imagined. (Image Courtesy of Tribeca Film Festival)
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The Dinner: At one of the most fashionable restaurants in an unnamed town, two estranged brothers (Richard Gere and Steve Coogan) and their wives (Rebecca Hall and Laura Linney) meet for an uncomfortable conversation. Stan Lohman is a popular congressman running for governor. His troubled younger brother Paul is a caustic former teacher. When Stan invites Paul for a dinner, the stage is set for a tense night. While the two brothers are constantly at odds, their 16 year-old sons are close friends, and the two boys soon become the center of the conversation as family secrets are dredged onto the table along with the main course. (Image Courtesy of Tribeca Film Festival)
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Sweet Virginia: A burglary-homicide rattles the residents of a small Alaska town, in particular two women made widows by the crime and their mutual friend, Sam, the proprietor of the local motor lodge. Sam is an outsider himself, a former rodeo champ all too happy to leave the jolt and violence of the ring behind. So when his guests prove unruly or a stranger reaches out to him, reluctance is his natural response. Secrets are revealed, violence increases, and the people in town act more unhinged. His hesitancy — and his willingness to move past it — becomes the lynchpin for his survival. (Image Courtesy of Tribeca Film Festival)
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Thumper: Troubled new girl Kat Carter (a mesmerizing Eliza Taylor) struggles to fit in with her high school classmates in a community where drugs and violence run rampant. When she is befriended by the sweet-natured Beaver (Daniel Webber), Kat realizes that the reach of the local drug ring is far deeper than she imagined. But Kat’s harboring a dark secret of her own. She soon attracts the attention of the group’s leader Wyatt (Pablo Schreiber), a menacing individual who would kill to protect his livelihood. Surviving in this treacherous environment is no mean feat. Eliza Taylor deftly conveys Kat’s complex character, which combines vulnerability and strength. (Image Courtesy of Tribeca Film Festival)
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Tilt: There’s something off about Joe. Although his pregnant wife, Joanne, supports him as he devotes more and more time to his passion project, a sprawling documentary about America’s “golden age,” both the film and Joe are becoming increasingly unhinged. Joanne is growing worried about Joseph’s odd behavior…but not as worried as she should be. (Image Courtesy of Tribeca Film Festival)
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Holy Air: Adam (writer/director Shady Srour) is thoroughly in love with his wife Lamia (Laëtitia Eïdo), but that doesn’t make him a successful businessman. He needs money now more than ever as they’re experiencing a difficult pregnancy while his father is gravely ill. Adding the small daily misfortunes he encounters as an Arab Christian in Nazareth means Adam could really use a big break. He finds one where he least expects it: on the biblical hilltop Mount Precipice. He embarks on his latest, riskiest business venture: bottling the holy air and selling it to the city’s tourists. (Image Courtesy of Tribeca Film Festival)
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Ice Mother: Hana lives alone in a big villa with only weekly visits from her two belligerent sons and their families to look forward to. While on a stroll with her grandson one day, she rescues Brona, an elderly ice swimmer with a hen for a best friend, from drowning. This encounter invigorates Hana, introducing her to a new hobby and unexpected romance. (Image Courtesy of Tribeca Film Festival)
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King of Peking: Big Wong and his son Little Wong are traveling film projectionists, screening Hollywood movies for local villagers. Faced with losing custody of his son, Big Wong starts making and selling illegal bootleg DVDs out of the old movie theater where he works, despite Little Wong’s objections. More than a father-son story, King of Peking is a love letter to cinema. (Image Courtesy of Tribeca Film Festival)
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Newton: India, the world’s largest democracy, is preparing for an election – with more than 800 million voters, this is a logistical puzzle of epic proportions. Newton is an idealistic, young office clerk volunteering to be a poll worker. He’s keen to put his energy to good use and help his country. When he is presented with an opportunity to head up the most dangerous polling station in the deepest jungle, which has been besieged by communist troops for decades, Newton eagerly jumps at the opportunity to prove his mettle. (Image Courtesy of Tribeca Film Festival)
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Nobody’s Watching: Nico is a promising actor in Argentina, but in New York, nobody takes notice. After giving up a successful career in his home country for a chance to make it in the big apple, Nico finds himself bartending, babysitting and doing odd jobs to keep afloat. In a moving depiction of the vibrant city, director Julia Solomonoff’s touching feature questions how we adjust when we lose our audience. (Image Courtesy of Tribeca Film Festival)
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November: Dive into the cold, snowy landscape of 19th-century Estonia, where werewolves and spirits roam free, and Jesus co-exists with kratts, the farmers’ mythological helpers made of tools and bones. Farmer girl Liina’s doomed romance with local boy Hans is at the center of director Rainer Sarnet’s pagan, black and white world, where the characters search for meaning in their surroundings and ponder the existence of the soul. (Image Courtesy of Tribeca Film Festival)
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Samba: Cisco has his back against the ropes. After spending 15 years in an American jail, he’s returned to the Dominican Republic yet is unable to get a job, a problem compounded by his mother’s ailing health and his younger brother’s delinquent habits. To make money, he’s resorted to illegal street fighting. But Cisco finds a possible salvation in Nichi, an Italian ex-boxer who sees dollar signs in Cisco’s gritty fighting skills. (Image Courtesy of Tribeca Film Festival)
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Son Of Sofia: Set during the 2004 Summer Olympic Games, 11-year-old Misha is travelling from Russia to live with his mother in Athens in the home of an elderly Greek man she works for. When he learns this man is actually his new father, Misha runs away but doesn’t have the stomach for life on the streets. Returning to his new home, he clings to the stories he grew up with, melding them with reality to create a dark urban fairytale. (Image Courtesy of Tribeca Film Festival)
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The Divine Order: Political and religious leaders in Switzerland cited the Divine Order as the reason why women still did not have to right to vote as late as 1970. Director Petra Volpe explores this surprising history through the story of Nora, a seemingly unremarkable housewife from a quaint village who must learn to become an unflinching suffragette leader. After organizing the village’s first meeting to support women getting the right to vote, her family is mocked, bullied, and shunned. Despite the obstacles and backlash, Nora perseveres and convinces the village women to go on strike, abandoning their homes and families. (Image Courtesy of Tribeca Film Festival)
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Tom Of Finland: From shunned to celebrated, this is the story of cult-artist Touko Laaksonen, better known as Tom of Finland, and the events that influenced his iconic homoerotic drawings. After the trauma of serving in WWII, Tuoko finds no peace at home as he has to go to increasingly greater lengths to hide his homosexuality, even from his family. As the secret affairs and police crackdowns wear on him, he commits more deeply to his art, drawing inspiration from the uniforms that oppress him. (Image Courtesy of Tribeca Film Festival)
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Super Dark Times: Teenagers Zach and Josh have been best friends their whole lives, but when a gruesome accident leads to a cover-up, the secret drives a wedge between them and propels them down a rabbit hole of escalating paranoia and violence in Kevin Phillips’ atmospheric ‘90s-set mystery-thriller. (Image Courtesy of Tribeca Film Festival)
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Hounds of Love: Dark forces lurk behind the sunny façade of an unassuming Australian suburb in Ben Young’s stylish ’80s-set directorial debut. Seventeen-year-old Vicki Maloney is stuck inside an unhappy home with parents on the verge of divorce. Feeling rebellious, she sneaks out of their house and is accosted by neighbors John and Evelyn White, a mentally unhinged couple who lure her with marijuana before tying her up to a bed inside their squalid home as their own personal torture subject. Pushed to her limits, Vicki soon realizes that her only hope for survival is to play on the Whites’ instabilities in order to drive a wedge between her unhinged captors and escape by any means necessary. (Image Courtesy of Tribeca Film Festival)
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Dumb The Story of Big Brother Magazine: Dumb: The Story of Big Brother Magazine charts the rise and fall of the irreverent, boundary-pushing “Big Brother Magazine”, whose taboo-breaking stunts and unapologetically crass humor spawned MTV’s Jackass and a generation of skaters. Featuring a trove of original footage and interviews with the magazine’s major players, Dumb celebrates the lowbrow legacy of this touchstone of 90’s counterculture. (Image Courtesy of Tribeca Film Festival)
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Psychopaths: In an unidentified prison, a madman is executed via the electric chair, triggering a sort of Mischief Night for a group of serial killers out in the city. There’s Alice (Ashley Bell), an escaped mental patient who thinks she’s living in a 1950s glamour world; Blondie (Angela Trimbur), a beautiful seductress who lures men down into her suburban basement for torture and death; a strangler (James Landry Hebert) who preys on unsuspecting women; and an enigmatic masked contract killer (Sam Zimmerman) whose next job sends him to seedy nightclub. As the night progresses, the body-count quickly rises and fates of these deranged murderers are sealed in blood.
(Image Courtesy of Tribeca Film Festival)
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A Gray State: In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims. (Image Courtesy of Tribeca Film Festival)
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Year of the Scab: During the 1987 NFL strike, pro teams scrambled to assemble temporary replacement players to fill in for their striking stars. The Washington Redskins were notable for their “scabs,” a team of amateurs who rode a surprising wave of momentum against all odds. These were men who had dreamed of a career in football or even come close to it, but their dreams had never been realized until that fateful season. Caught in the crossfire between owners and players, bashed for undermining the strike and disregarded as “wanna-be” players, these men had the challenge of winning the hearts of fans through the sport they dreamed of belonging to. (Image Courtesy of Tribeca Film Festival)
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Whitney. “Can I Be Me”: Whitney Houston was the most awarded female recording artist of all time, with more consecutive number one hits than The Beatles, and on top of that she was America’s Sweetheart. Yet despite her fame, talent, and success, she died tragically at the age of 48. Featuring largely never-before-seen footage and Broomfield and Dolezal’s moving documentary tells the story of the girl behind the voice. (Image Courtesy of Tribeca Film Festival)
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WASTED The Story of Food Waste: Each year, $218 billion—or 1.3 billion tons—of food is thrown out. With nearly a billion people worldwide facing starvation, food conservation is a more urgent issue than ever before. Executive produced by Anthony Bourdain, Chai and Kye’s fast-paced and forward-thinking food doc takes viewers on a tour of inventive new ideas for recycling waste and maximizing sustainability from innovative chefs like Massimo Bottura, Dan Barber and Danny Bowien, who turn scraps into feasts before our eyes. (Image Courtesy of Tribeca Film Festival)
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No Stone Unturned: In 1994, six men were gunned down and five wounded in a pub while watching a World Cup soccer match in Loughinisland, Northern Ireland. With a police investigation that was perfunctory at best, the case remained unsolved. In this non-fiction murder mystery, Academy Award-winning documentarian Alex Gibney reopens the original case to investigate why no culprit was ever brought to justice. (Image Courtesy of Tribeca Film Festival)
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LA 92: Few images are seared into the American consciousness like the beating of Rodney King at the hands of four white Los Angeles police officers and the riots after the officers’ acquittal in the spring of 1992. The unrest, sparked by a verdict many viewed as yet another example of judicial indifference to law enforcement’s harassment of Los Angeles’s African American population, lasted for six days. The widespread looting, arson, and assaults were all captured by TV news and broadcast to a shocked nation. By the time the violence was quelled, more than fifty people had lost their lives and over $1 billion dollars in damage had been done to South Central Los Angeles and the surrounding neighborhoods. (Image Courtesy of Tribeca Film Festival)
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I Am Evidence: Every year, hundreds of rape kits containing DNA evidence are left untested by police around the country. Over 175,000 kits have been uncovered to date, resting in backlogs and storage facilities, each of them an unsolved case. Currently, only eight states (Georgia, Colorado, Illinois, Kentucky, Texas, Pennsylvania, Ohio and New York) have passed laws requiring that rape kits be tested by police. As a result, decades worth of kits have been shelved, perpetrators remaining free and victims ignored, the potentially crucial evidence left to languish. (Image Courtesy of Tribeca Film Festival)
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Hondros: Beginning with the war in Kosovo in 1999, award-winning photographer Chris Hondros served as witness to over a decade of conflict before being killed in Libya in 2011. Director and childhood friend Greg Campbell takes the audience on a stunning journey, retracing the path of Chris’s career as a journalist, while also revealing the little-known backstories that accompany some of his most influential photographs. (Image Courtesy of Tribeca Film Festival)
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Hell On Earth — The Fall of Syria & the Rise of ISIS: Chronicling Syria’s descent into unbridled chaos and the rise of ISIS, this gripping and insightful work captures the Syrian war’s harrowing carnage, political and social consequences, and, most importantly, its human toll. Academy Award® nominated filmmaker and best-selling author Sebastian Junger and Emmy® Award-winning producer Nick Quested untangle these complex issues to create an informative and compelling documentary, edited from almost 1,000 hours of footage. Personal stories of survival and tragedy follow an extended family in their desperate attempts to flee Syria. (Image Courtesy of Tribeca Film Festival)
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Gilbert: Legendary comedian Gilbert Gottfried has had quite the career. Rocketing to fame in the 1980s, he was thrust into the public consciousness almost immediately thanks to his brash personality, unique worldview, and off-kilter comic timing. Now, foul-mouthed and unapologetic after decades of flying solo in both his work and in his personal life, Gilbert has shockingly reinvented himself…as a family man. (Image Courtesy of Tribeca Film Festival)
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Get Me Roger Stone: With his bespoke suits and collection of Nixon memorabilia, political firebrand and noted eccentric Roger Stone has been a fixture of Republican politics since the 1970s, yet at the same time, Stone has always been an outsider to the political establishment. The youngest person called before the Watergate grand jury, Stone wears his notorious reputation (and his full-back Nixon tattoo) like a badge of honor. (Image Courtesy of Tribeca Film Festival)
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Frank Serpico: As an NYPD officer in the late 60s and early 70s, Frank Serpico blew the whistle on the corruption and payoffs running rampant in the department, was shot in the face during a drug arrest, and most famously became the subject of Sidney Lumet’s classic film Serpico. Forty-plus years later, Serpico talks about his Southern Italian roots and upbringing, his time as an undercover officer, and his post-NYPD life in Europe and ultimately upstate New York. Adding their own recollections are his fellow officers, childhood friends, his West Side neighbors, and his admirers such as writer Luc Sante and actor John Turturro. (Image Courtesy of Tribeca Film Festival)
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ELIAN: As the new millennium began, one news story captured the attention and hearts of nearly every American. On Thanksgiving 1999, a young Cuban boy named Elián González was found floating in the Florida Straits by himself after his mother drowned trying to seek refuge in the United States. Before long, the 5-year-old González became the centerpiece of an intense custody battle between his father back in Cuba and his relatives in Miami, which, in turn, brought attention to the long-brewing tensions between Fidel Castro’s Cuba and the U.S. Throughout the news coverage, though, one voice was too young to join the heated international conversation: that of Elián himself. Eighteen years later, in the wake of Fidel Castro’s monumental death last November, ELIÁN lets the now 23-year-old tell his story, along with the other key players, of one of the biggest news events in modern times. (Image Courtesy of Tribeca Film Festival)
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Blurred Lines Inside the Art World: As one art scene insider proclaims, the contemporary art world can be summed up as “rich people trying to prove how rich they are,” but is that all there is to this billion dollar industry? Well-researched and expertly constructed, Barry Avrich’s eye-opening documentary peels back the layers of the art world economy- from production to circulation, and delineates every integral player in the game of art-making, including curators, gallerists, collectors, donors, auction houses, and … artists. In the process, he unpacks the complex and surprising ecosystem that supports the art world superstars and million-dollar deals that make front-page news. (Image Courtesy of Tribeca Film Festival)
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AlphaGo: The ancient Chinese board game Go has long been considered the holy grail for artificial intelligence. Its simple rules but near-infinite number of outcomes make it exponentially more complex than chess. Mastery of the game by computers was considered by expert players and the AI community alike to be out of reach for at least another decade. Yet in 2015, Google’s DeepMind team announced that they would be taking on Lee Sedol: the world’s most elite Go champion. The match was set for a weeklong tournament in Seoul in early 2016, and there was more at stake than the million dollar prize. (Image Courtesy of Tribeca Film Festival)
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ACORN & the Firestorm: By the people and for the people, community organizing group ACORN became a major player in the 2008 presidential election that resulted in Barack Obama’s victory. Conservatives took issue with the group, firing accusations of voter fraud and government waste at the left-leaning organization. The burgeoning right-wing opposition found unexpected allies in James O’Keefe and Hannah Giles. The pair of young conservatives and amateur journalists posed as a pimp and prostitute to try to expose ACORN’s business practices via a hidden camera. The ensuing political drama spawned the now-omnipresent Breitbart Media, drove an even deeper wedge between Democrats and Republicans, and served as a prescient foreshadowing for much of today’s political climate. (Image Courtesy of Tribeca Film Festival)
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Buster’s Mal Heart: “I don’t believe it.” A succinct speech given by the title character late in Buster’s Mal Heart neatly summarizes the film. A fugitive hotly pursued by rangers reviews the pathway to his present circumstances and finds conflicting stories. Unsure of what’s real, even as he’s afflicted with troubling dreams, Buster struggles for “traction.”As he sees it, he’s in his his final, desperate stand. (Image Courtesy of Tribeca Film Festival)
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The Trip to Spain: Steve Coogan and Rob Brydon reunite with director Michael Winterbottom for another chapter in their hilarious road trip series. This time taking their wit and appetites on a tour through picturesque Spain’s finest fine dining, Coogan and Brydon trade celebrity impressions and witty banter over paella and gazpacho, their comic observations on fame and friendship as dry as the finest Spanish wine. Older and maybe wiser, the pair’s conversation roams over many topics, but always seems to come back to fame, family, and getting older. Brydon is now a father, while Coogan is basking in the critical response to a lauded film performance (which he is happy to remind Brydon of at every opportunity), even as his agent seems to be losing interest in his career. (Image Courtesy of Tribeca Film Festival)
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The Lovers: Many years into their dispassionate marriage, a long-married couple — both seriously involved with other people — has settled into an independent yet friendly arrangement. But pressure is mounting from their respective partners to fully commit, so Mary (a luminous Debra Winger) and Michael (Broadway legend Tracy Letts) amicably resolve to call it quits.
To their surprise, their decision to separate reignites a dormant spark, which leads to an impulsive and passionate affair. Their newfound affection forces them to navigate the uncharted terrain and hilarious complications that come with “cheating” on their respective lovers. Things become even more complicated when their son arrives home for a visit with his new girlfriend. (Image Courtesy of Tribeca Film Festival)
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The Clapper: New York native and Tribeca alum (Boulevard, TFF 2014) Dito Montiel heads out west with his hilarious satire, The Clapper, adapted from his novel of the same name. After the death of his wife, Eddie Krumble (Ed Helms) moves to Los Angeles looking for a fresh start and becomes a professional paid audience member for infomercials and other live studio tapings, with his best friend Chris (Tracy Morgan) at his side. Though struggling financially, Eddie seems to have finally caught a break as he forms a bond with comely gas station attendant, Judy (Amanda Seyfried). But when Eddie’s many disguises and telegenic enthusiasm catch the eye of a notorious late night talk show host and his producer (Adam Levine), they turn Eddie’s life into the newest national obsession, threatening his budding romance with Judy (Image Courtesy of Tribeca Film Festival)
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The Boy Downstairs: From first-time writer-director Sophie Brooks, this original romantic comedy is the coming-of-age tale of a young writer looking to find her way back in New York City after a two-year stint in London. Zosia Mamet exhibits winsome charm as Diana, navigating the rite of passage of every single New Yorker: the search for the perfect apartment. She seemingly finds such a jewel of a home, until realizing her downstairs neighbor is actually her ex whose heart she broke when she left town. Like a true New Yorker, she keeps the apartment. (Image Courtesy of Tribeca Film Festival)
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Take Me: Ray Moody (Pat Healy) is a fledgling entrepreneur, trying to get his company off the ground in Los Angeles. His business: abduction, or as Ray describes his company, Kidnap Solutions, LLC, providing alternative therapy that his clients use for curative reasons. The market for such a service is unsurprisingly niche, and Ray is in dire straits. So when he receives a mysterious phone call late one night contracting him for a weekend abduction with a handsome payday at the end, Ray jumps at the chance. The only problem? His target, business consultant Anna St. Blair (Orange Is the New Black’s Taylor Schilling) may not be all that she seems. (Image Courtesy of Tribeca Film Festival)
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Rock’n Roll
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Permission
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Manifesto
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Literally Right Before Aaron
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Dabka
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Chuck
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Aardvark
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Thirst Street
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The Endeless
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Saturday Church
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One Percent More Humid
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Love after Love
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Keep The Change
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Flower
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Blame
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Abundant Acreage Available
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A Thousand Junkies
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The Wedding Plan
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The Last Animals
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The Farthest
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The Family I Had
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My Friend Dahmer
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Pilgrimage
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My Art
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Mr. Long
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For Ahkeem
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Flames
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Dog Years
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City of Ghosts
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A River Below
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When God Sleeps
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True Conviction
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The Sensitves
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The Reagan Show
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The Departure
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The Death & Life of Marsha P. Johnson
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Shadowman
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No Man’s Land
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Copwatch
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Bobby Jene
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A Suitable Girl
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